Act One A & B
Act Two A B C

 

INT. CLOTHING BOUTIQUE - AFTERNOON.

 

Rene and Jenny are having fun looking at crazy clothes in a consignment store. Rene's CELLPHONE RINGS

 

RENE

Oh, Damn.

 

JENNY

What is it?

 

RENE

Work. I forgot to tell them that I couldn't come in.

 

Rene walks out of the store to the side walk before she opens her phone.

 

EXT. SIDEWALK - AFTERNOON.

 

Rene is leaning against the building talking to April when Jenny comes out of the store and walks towards her mother. Rene puts up a hand to stop Jenny from coming closer and turns away from Jenny to wrap up the call.

 

RENE

... No, it was fine, better then fine, he kept me all night.

 

APRIL (V.O.)

I know, I got the fee. So, this is a chance for another over night.

 

RENE

But I told you-

 

APRIL (V.O.)

And I told you, I told him, you would call, so call him. What could it hurt?

 

The PHONE goes DEAD. Rene growls at the phone.

 

JENNY

What's wrong?

 

RENE

I told you, I forgot to tell them I couldn't come in today after all .

 

JENNY

Can't they get somebody else?

 

RENE

Its a holiday. April didn't want to let me off in the first place.

 

JENNY

April?

 

RENE

My supervisor.

 

JENNY

You called me that once when I called.

 

RENE

Right, only you and April have this number and you almost never call. And now a client I was scheduled to meet with today, has called and April didn't know what to say. And now she wants me to meet them.

 

JENNY

Can't it wait?

 

RENE

Jenny- You like the new apartment? You like the blouse you were looking at?

 

Rene waits for Jenny to answer and then cuts her off.

 

RENE

This is business. If I ask them to wait they'll go to a company ready to deal with them now rather then wait.

 

JENNY

But you said April let you off for the holiday.

 

RENE

No I didn't.

 

JENNY

Yeah, you said she didn't want to but-

 

RENE

But then I got your message and I told her I could work.

 

JENNY

Oh. Do you like this job?

 

RENE

Its okay, why?

 

JENNY

Well, if you didn't like it you could just blow it off and get another job-

 

RENE

Jenny! You can't do that. People won't hire you without asking what happened at your old job and when they find out you just quit when working became in convenient ... you'll never get another job. You won't even get a job at a dollar store if you have a rep for quitting when it suits you.

 

JENNY

But ...

 

RENE

What?

 

JENNY

We were having fun.

 

RENE

Yeah, and if you had called instead of just showing up after you said you weren't coming, maybe we could have continued to have fun.

 

JENNY

If you hadn't slept all morning-

 

RENE

And if you'd called to say you had changed your mind I wouldn't have staid out all night. This is not my fault Jenny, and I resent you trying to make it my fault.

 

Rene hands Jenny the keys to the car.

 

RENE

Here, go get the car.

 

JENNY

Why? You don't even know-

 

RENE

Because I want to go to the gym before I go to work.

 

JENNY

But you were going to call to see if you had to go to work?

 

RENE

After a speech like that, I have go. And I don't want you listening in while I talk to a client.

 

Jenny grumbles but she marches off to get the car. Rene is still angry as she dials but she's all sunshine when she speaks.

 

RENE

Hello, Chet? This is Tracy, you called?

 

ERIC (V.O.)

Hello Tracy, this is Chet and yes I did call. Last night was wonderful.

 

RENE

Well, thank you, does that mean you'd like to hire me for a repeat, tonight?

 

ERIC (V.O.)

Yes, it does and for the next five nights.

 

RENE

Five?

 

ERIC (V.O.)

I don't have to be back to school until Monday morning and I want to spend all of my time with you.

 

RENE

All? Well that could be-

 

ERIC (V.O.)

Have you heard of Atlantis?

 

RENE

The lost kingdom?

 

ERIC (V.O.)

I was thinking about the resort in the Bahamas.

 

RENE

Oh. Yes, I've heard of it.

 

ERIC (V.O.)

Have you ever been there?

 

RENE

No?

 

ERIC (V.O.)

Well, they've just opened a companion resort, for adults only-

 

RENE

Well that sounds great for me, but what about you?

 

ERIC (V.O.)

(Grunts)

 

RENE

(Laughs)

Listen Eric, it sounds wonderful but I'm out shopping with Jenny right now and-

 

ERIC (V.O.)

You're forgetting rule one, its always about the money. Five nights, not just nights, whole days, what would that come to?

 

RENE

I don't know. But ... I wouldn't care. Just make sure April gets her share and the experience will be enough for me.

 

ERIC (V.O.)

Ooh, bad.

 

RENE

What?

 

ERIC (V.O.)

You just broke rule two. Never give anything away.

 

RENE

Where did you get these?

 

ERIC (V.O.)

Secret source.

 

RENE

Well, Tracy is available this evening, for all evening but she can not leave the city. I'm sorry.

 

ERIC (V.O.)

Me too.

 

INT. MINI VAN - DAY.

 

Jenny is too small to drive the van well. Through the front window we see Rene close her phone and put it away. Jenny pulls to a stop and jumps into the passenger seat.

 

JENNY

Why do you drive this bus?

 

RENE

Bus?

 

JENNY

Yeah, you don't even have kids. You could have gotten something cooler for the same money.

 

RENE

Cooler cars get stolen.

 

 

EXT. COUNTRY CLUB - AFTERNOON.

 

Jenny and Rene get out of the van. Rene's CELLPHONE RINGS. Jenny continues walking, not even noticing that her mother has stopped to answer her phone. Rene looks at the screen, "Unidentified Caller." Rene is suspicious as she opens her phone.

 

 

 

 

RENE

Hello?

 

RICHARD (V.O.)

Hi dear, you never told me we were rich. "Community property," what's your's is mine, gotta love it.

 

Rene ends the call and enters another block.

 

INT. LOCKER ROOM - N/A.

 

Rene opens her locker where she has several outfits hanging.

 

JENNY

Wow! You've got more clothes in there then I have in my whole dorm.

 

Rene gives Jenny a look.

 

JENNY

Okay, not really. But still.

 

 

Rene pulls a folded work out suit from the bottom and hands it to Jenny. Rene has her street clothes half off in a second.

 

INT. EXERCISE ROOM - DAY.

 

Rene is already working out on a weight machine when Jenny come in wearing the borrowed clothes, that are a little loose. Jenny looks around, not knowing what to do.

 

RENE

Go ahead and get started. I only have an hour and you have to leave when I do.

 

Jenny still looks around. She makes her way over to a machine for pull down. Rene is beside her.

 

RENE

You need to get your heart rate up first.

 

Rene directs Jenny to the treadmill first.

 

MONTAGE

 

Over the hour Rene teaches Jenny a lot about the machines.

INT. LOCKER ROOM - N/A.

 

Jenny and Rene are in the showers.

 

RENE

Jenny, this business thing has gotten out of hand. The reps for the companies are upset about some local bad publicity. I have to go to Omaha and deal with them.

 

JENNY

So, what does that mean for me?

 

RENE

It means you're on your own for the rest of the week. I'll leave you some money and a key. Please don't have more than one person over at a time. And please don't go through my clothes, in fact, just stay out of my bedroom.

 

JENNY

Okay!

 

Rene finishes and turns off the water. She grabs a towel and makes her way to the lockers.

 

RENE

Come on Jenny, we have to go.

 

 

INT. HOTEL SUITE _ DAY.

 

The door opens, Rene and Eric enter the huge suite. The Bellman brings in the trolley loaded with suitcases. He has trouble removing two of Rene's and sets them in the middle of the room. Eric tips him and the Bellman leaves. Rene is on the balcony.

 

RENE

This is incredible.

 

ERIC

Yeah.

 

Eric has trouble lifting Rene's two biggest suitcases.

 

ERIC

I think you over packed.

 

RENE

I'm not planning to wear any of that. I just grought it so Jenny couldn't get into them. They're my work clothes.

 

 

Rene enters from the balcony completely naked.

 

ERIC

I thought these were your work clothes.

 

 

Rene backs Eric up to the bed, kissing him and removing his clothes all the while. Once he's down on the bed she stops.

 

RENE

Thank you.

 

ERIC

For what?

 

RENE

I hope you never find out.

 

EXT. BEACH - DAY.

 

CU

A black "full back" bikini covers a curved ass. A man's hand slips under the bikini and caresses the ass and then pinches it.

 

RENE

Ow!

 

WIDE

 

Eric and Rene are standing on a secluded white sand beach with only a few adults around enjoying the beach and each other. Rene and Eric are kissing, both wearing swimsuits, while he palms her ass and pinches her again.

 

RENE

Hey!

 

RICHARD (O.S.)

Its a great ass isn't it? I know I could never keep my hands off ot it.

Rene and Eric jump back. Richard is sitting on a lounge chair, deep in the trees and shade, sipping a drink out of a coconut.

 

ERIC

What? Come on Tracy, I think we need to find another beach.

 

RICHARD

Buzz off sonny, she's my wife.

 

Richard comes to his feet. Rene is staring at him slack jawed. Eric steps between them.

 

ERIC

The lady's with me.

 

Richard is close and he pinches Eric's triceps muscle.

 

RICHARD

Not bad, but I fight dirty.

 

ERIC

I don't want a fight-

 

RENE

He does. He's my husband Eric and he wants to provoke you into a fight.

 

ERIC

Your, husband? Richard? He took off and left you.

 

RICHARD

Tracy! It seems you've been sharing a little too much.

 

RENE

What do you want Richard?

 

RICHARD

I'm entitled to half, but I'll take everything. Does rich boy know he doesn't have to act like a gentleman. That-

 

ERIC

Security!?

 

RICHARD

... all he has to do is show you the green stuff to get you to spread your legs.

 

Eric turns back to Richard and almost punches him when Rene takes his arm.

 

RENE

Its okay, Chet. I'm not ashamed of what I do. Its what my marriage was based on after all.

 

RICHARD

Nice try but there's no hear to hit. And while you and "Chet" might not care you you pay for your lifestyle, the Bahamanian government does.

 

A Security Officer shows up. Eric shows the Officer his room card and then points at Richard.

 

ERIC

This man, hid in wait for us and now he's accusing my wife of obscenities and is trying to provoke a fight. I don't know what his scam is and I don't want to know. We just want to enjoy what we thought would be a pleasant holiday.

 

SECURITY

Of Course sir.

 

Eric tugs on Rene's hand and she eventually follows. Richard tries to follow but the Security Officer restrains him.

 

RICHARD

Clever Rich Boy, but she's still my wife. And that makes her my property.

 

The Security Officer talks on his radio while restraining Richard.

 

EXT. POOLS AREA - DAY.

 

Eric and Rene walk hand in hand and with a purpose towards the lobby.

 

INT. LOBBY - CASTAWAYS - DAY

 

Eric and Rene walk hand in hand through the lobby towards the elevators (Eric has an erection and Rene's nipples are hard).

 

INT. SUITE, DAY.

The door to the suite opens, Rene and Eric enter. The moment the door closes Rene's facade falls away. Eric takes her in his arms, kisses her and lifts her off the ground.

He lowers her onto his erection and just holds her there while he kisses her. Finally they break.

 

ERIC

I should call security.

 

RENE

I'm all wet. You should fuck me first.

 

 

Eric kisses her again and carries her to the bed.

 

 

EXT. STREET NASSAU - NIGHT.

 

Rene and Eric are walking slowly, enjoying the air and the look for a place to eat.

 

RICHARD (O.S.)

Hey Chet, Tracy!

 

Richard is sitting outdoors at a bar with a drink in his hand. Eric and Rene move on, faster.

 

RICHARD

(Laughs)

 

ERIC

I really should call the police, he's stalking us.

 

RENE

I don't know. I think he's right about the legal stuff. Which means I don't want to attract legal attention.

 

ERIC

He's right about prostitution, I checked.

 

Eric checks her expression. The subject doesn't seem to upset her.

 

ERIC

Its illegal here even though you see it every where. But I haven't paid you, here so ... We're just friends as far as the locals know.

 

RENE

And federal felons back in the states. I don't think that's a good thing.

 

They walk in SILENCE for a while, not noticing the beauty they are passing. Eric puts his arm around Rene to comfort her. She responds by leaning into him.

 

ERIC

My great grandfather and my grandfather used to do a lot of business in the Bahamas.

 

RENE

What do you mean?

 

ERIC

Triangle trade. Slaves for sugar, sugar for rum, rum for slaves. They replaced the slaves with other things after the war but the trade didn't stop. I'm thinking, if we spread my name around we might find someone willing to help us change Richard's mind.

 

RENE

And get us into more legal trouble?

 

ERIC

We're not in the U.S.

 

 

EXT. NASSAU STREET - DAY.

 

This is not the best street in town.

There's a rum distributors company on the street.

INT. RUM EXPORTER - DAY.

 

Eric and Rene are in the back office of a Bahaman native.

 

NATIVE

This will not be a problem. It would be even easier to kill him.

 

RENE

No, that would cause ... family problems.

 

NATIVE

So, it will be done.

 

 

Rene opens her purse.

 

RENE

How much do I owe you for this?

 

NATIVE

Oh, nothing. We do this because of family and in hopes of future business.

 

RENE

I appreciate that but this is not Eric's problem, it is mine. I asked him, as a friend, to put me in touch with persons who would take this kind of work but, he can't vouch for me. I wish to take care of this, in cash, now. With no long term obligations.

 

This dissappoints the Businessman.

 

RENE

That is not to say that if this is done well I won't have work of a similar nature in the future. But it makes no assurances either.

 

NATIVE

(beat)

You understand that I agreed to this under different assumptions?

 

RENE

Of course. You don't know me and have no reason to believe I require more than the basics. But I insist upon the best and I'm willing to pay for it.

 

NATIVE

You want ... professionals.

 

RENE

I expect them.

 

They look at each other, two business people.

EXT. BALCONY - EVENING.

 

Rene and Eric are sitting in a hot tub. naked, on the balcony of their suite and looking out as the lights come on around the resort. Eric captures Rene's foot and begins to rub it.

 

RENE

Mmmm. You know, you could have a career in this business.

 

Eric smiles.

 

RENE

What are you thinking of doing, not to me, but in your life?

 

ERIC

I don't know.

 

RENE

What do you feel like?

 

ERIC

I want to do something to make up for the stuff my family has done over the years. I don't care about the money. I even like the idea of their money going to repair or undue what they've done.

 

RENE

Like the Southern Law Center of something?

 

ERIC

Yeah.

 

DOORBELL

 

ERIC

I've been thinking something legal.

(yells)

Come in. I think what you're husband has done is awful and there should be some legal way to hurt him and not hurt you.

 

 

A waiter comes out onto the balcony with a cart. On the cart is a fancy serving for rum. Under the cart is a wooden box.

 

ERIC

What's this?

 

WAITER

Its for the lady.

 

 

The waiter lifts out the wooden box and opens it. Inside are two bottles of local rum, recent vintage, nestled in shredded wood.

 

RENE

Expensive?

 

WAITER

Very, I was told. Would you like me to prepare two glasses?

 

RENE

Yes, please.

 

 

The Waiter goes through a complex process, hands over the glasses and leaves. Eric lifts a bottle and examines the label. Rene sips the rum and makes a face.

 

ERIC

I think I saw this in the store for like a dollar fifty.

 

RENE

Well, I guess I'm pretty gullible because I think I paid thousands for these two bottles.

 

Eric puts the bottle back and reaches for his glass.

 

RENE

I wouldn't.

 

 

Eric smiles. Rene is quiet.

 

ERIC

What are you thinking?

 

RENE

I'm thinking that Richard knows a lot about my financials. And that my accountant doesn't know where I am or how to find out.

 

ERIC

Maybe April told him.

 

RENE

You're giving April twenty five hundred dollars, and all she had to do was take one call. I don't think Richard has enough money to make it worth April's while to give me up.

 

Rene sits up and then she slides around the tub, sitting next to Eric and slips her hand between his legs.

 

ERIC

What's this about?

 

RENE

This is about, that you aren't paying for me to have personal problems. Isn't that one of the rules?

 

ERIC

Number five.

 

They kiss.

 

 

INT. HOSPITAL ROOM - DAY.

Richard is in the bed, bandaged from head to toe. Rene comes in. We can see through the door before it closes that Eric is waiting in the hall.

 

RENE

Oh, Richard. Hotel security just told us what happened?

They said at first they thought you were garbage the ocean had thrown up on the beach. Oh, it must have hurt so much. I can't imagine how much it must hurt, to be alone, with no one to help you.

 

Richard is pleased at first and then turns suspicious

 

RENE

If your enemies can find you all the way out here, is it even safe for you to go back to the U.S.?

 

And one more thing.

 

INT. KUMAR'S OFFICE - DAY.

Rene sits across the desk from Kumar staring at him. Kumar is nervous.

 

KUMAR

Uh, Rene, are you all right?

 

RENE

Yes, why wouldn't I be?

 

KUMAR

I don't know but you asked for this meeting but you've just been staring at me.

 

RENE

Isn't that my right? I am paying you aren't I?

 

KUMAR

Uh, yes.

 

RENE

But that doesn't really mean much does it?

 

KUMAR

It means a great deal. It means-

 

RENE

If it means so much, then why did you inform Richard of everything?

 

KUMAR

I-

 

Rene pulls two envelopes from her purse. She places the first one on Kumar's desk, in front of him.

 

RENE

That's my legal notice to you that I have retained a new accountant and that you are required to turn over all files you have on my finances, immediately.

 

KUMAR

Rene-

 

Rene places the second envelope on Kumar's desk.

 

RENE

That is a copy of the complaint I've filed with the state board of accountancy. I hired a lawyer to help me with it. She feels certain you'll loose your license.

 

Rene stands up and leaves.

 

INT. CPA OFFICE RECEPTION - DAY.

 

Kumar follows Rene, looking desperate.

 

KUMAR

Rene! You can't-

 

Janice stands up and faces Kumar like she was waiting for this scene.

 

JANICE

We already have. Don't make it worse than it already is, Kumar.

 

Janice and Rene give Kumar a smile before they leave.

 

INT. TITLE OFFICE - DAY.

 

The Manager is sitting at his desk under the company sign opening his mail. He opens a letter from Janice and reads about Richard taking refuge in the Bahamas. The Manager smiles and nods his head.

 

EXT. COLLEGE - DAY.

Jenny comes out of a building and walks along a path where she finds Rene waiting.

 

JENNY

Mom!

 

RENE

Your father has your cell number and you have mine. From that, I figured he located where my cell was.

 

Jenny doesn't know what to say.

 

RENE

You're my daughter, nothing can change that. That means you always have an ear to listen to your problems and your successes. And that you always have a place to go when you have no where else. But it doesn't mean I'll ever trust you again.

 

Jenny is devastated. Rene turns on her heal and leaves. She walks across the campus, a woman on her own.

 

 

 

 


 

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